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'Meeting of Major Mitchell and Edward Henty, Portland Bay, 1836'

This is a photo-engraving, approximately 52.5 cm x 69.0 cm in size, depicting two men in front of a farm greeting a party of visitors. It shows Edward Henty shaking the hand of Major Thomas Mitchell, who is on horseback. They are watched by a man standing on the left-hand side and by four members of Mitchell's party on ...

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Maize silo stack, Hilltop, Tilba Tilba, c1895

This is a black-and-white photograph of a partially constructed maize silo stack in an open field. It shows five workers - four on top of the stack and one on the ground. Several horses are being used in the construction of the stack, which is at least two storeys high. The silo has an open rectangular wooden frame that ...

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Macquarie Island party, 1911-14

This is a black-and-white photograph of five members of Sir Douglas Mawson's Australasian Antarctic Expedition 1911-14 team at Macquarie Island. The men are posed in front of two rocky outcrops, dressed in heavy Antarctic clothing. The personnel pictured are (left to right) Charles A Sandell, wireless operator and mechanic; ...

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Indigenous Australians feasting on a beached whale, c1817

This is a watercolour, measuring 17.7 cm x 27.9 cm, created by Joseph Lycett in about 1817. It depicts Indigenous Australian people on the New South Wales coast near the mouth of the Hunter River at Nobby's Head. There is a sailing ship on the horizon and nine people are on the beach, some looking on while two kneel beside ...

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Indigenous Australians using fire to hunt kangaroos, c1817

This is a watercolour, measuring 17.5 cm x 27.8 cm, created by Joseph Lycett in about 1817. It depicts Indigenous Australians using fire to flush out kangaroos in order to hunt them. One man is ready to throw a spear using a woomera (spear thrower) and another has his arm raised to throw a boomerang. In the background, ...

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Indigenous Australian family sheltering in a cave, c1817

This is a watercolour, measuring 17.7 cm x 27.7 cm, created by Joseph Lycett in about 1817. It depicts an Indigenous Australian family sheltering from a storm in the entrance of a cave in New South Wales. A man holds a fish and a firebrand and a woman sits on a rock nursing a baby. A third adult squats before a fire, apparently ...

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Indigenous Australians fishing by torchlight, c1817

This is a watercolour, measuring 17.7 cm x 27.9 cm, created by Joseph Lycett in about 1817. It depicts Indigenous Australians spear fishing from three bark canoes at night. In each canoe are a man with a spear and a person holding a firebrand. On the river bank, 15 adults and a child are gathered around two fires, roasting ...

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Portrait of an Indigenous Australian man, c1790

This is a portrait of an Indigenous Australian man from the Port Jackson (Sydney) area of New South Wales, created in about 1790 by an unknown artist. The man is shown from the waist up, standing with his back to the viewer and his head turned to the right-hand side. The man's facial features are exaggerated and his back ...

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Bennelong in European clothing, 1798

This is an engraving made by James Neagle in England in 1798. It features an oval portrait of Bennelong wearing a ruffled shirt, waistcoat and frockcoat. A number of Indigenous Australian weapons are depicted in a formal arrangement behind the portrait; these include two shields, a woomera (spear thrower), a hafted axe ...

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Indigenous Tasmanian woman, Arra-Maida, 1802

This is a black-and-white print of a drawing made by the French artist Nicolas-Martin Petit on Bruny Island, off south-east Van Diemen's Land (Tasmania), on 31 January 1802. It is a portrait of a young woman, Arra-Maida. She has short, woolly hair and is wearing an animal-skin garment that hangs over one shoulder, but ...

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Indigenous Australian man, Y-erran-gou-la-ga (Mousquita), 1802

This is a colour print of a half-figure portrait drawn by the French artist Nicolas-Martin Petit somewhere near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a man named as Y-erran-gou-la-ga. There is painting on his chest and face and he is wearing a piece of reed or bone through a hole in the cartilage ...

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Indigenous Australian man, Ourou-mare ('Bulldog'), 1802

This is a colour print of a half-figure portrait drawn by the French artist Nicolas-Martin Petit somewhere near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a man named as Ourou-mare, said to be of the Gwea-gal tribe, and known to the British settlers as 'Bulldog'. He has short, curly hair and a ...

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Indigenous Australian man warding off spears, c1817

This is a 17.7 cm x 27.7 cm watercolour showing an Indigenous Australian man holding a shield in front of himself, with fallen spears at his feet, as he faces a group of 14 men. Some are holding spears, apparently watching and waiting, while one is about to throw his spear at the man with the shield. Another group of 11 ...

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Sheep washing at 'Collaroy' station, 1872

This is an image from a wood engraving, measuring 35.0 cm x 23.6 cm, showing an elaborate steam-driven sheep washing plant at 'Collaroy' station in the Upper Hunter region of New South Wales. It shows sheep moving through several stages of scouring, washing and rinsing. Large boilers and engines are housed in sheds on the ...

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Dry weather in Melbourne, 1882

This is a black-and-white drawing in pen and ink depicting a street scene in Melbourne in 1882. It is captioned 'Dry weather in Melbourne suburbs, no water in the houses'. Measuring 10.0 cm x 15.5 cm, the drawing shows a range of activities involving men, women and children. One man appears to be struggling under the weight ...

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Sheep run and wool dray, c1855

This is an oil painting on canvas, measuring 12.2 cm x 19.0 cm, painted in about 1855. It is made in the form of a Christmas card, inscribed with 'The COMPLIMENTS OF THE SEASON'. The painting has two 'pictures within a picture', like wall hangings, surrounded by the leaves and bright red flowers of Sturt's desert pea. One ...

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Simon, Indigenous Australian from Victoria, c1858

This is a hand-coloured photographic print of an Indigenous Australian from Victoria, taken in about 1858. Measuring 24 cm x 19 cm, it is entitled 'SIMON. An Australian Aborigine of the Yarra Yarra tribe which opposed the landing of Batman 1835'. The man is pictured with a spear in one hand and a wooden club in the other. ...

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'Where the Treaty of Waitangi was signed', 1882

This is a watercolour by Alfred Sharpe that shows the house where the Treaty of Waitangi was signed in 1840, as seen from Motumaire Island in the Bay of Islands (far north of the North Island of New Zealand) in 1882. Steep exposed rocks, with a number of trees growing on them, dominate the foreground. The Treaty House is ...

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'Crowd in the water, Opononi', 1956

This is a black-and-white photograph showing a woman and a group of children in the water at Opononi, Hokianga Harbour on the west coast of the far north of New Zealand's North Island. The woman appears to be reaching out her arm near the head of a young bottlenose dolphin known locally as Opo. The dorsal fin and part of ...

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Tabua (ceremonial whale tooth), c1800s

This tabua, a kapkap (a forehead or shoulder ornament), is a large, cream-coloured whale tooth, originating from Fiji in the 19th century. It is perforated at the tip and the base for suspension. Its suspension cord is a tight, complex plait of sennit (coconut fibre) with ornamental knots at 2-3 cm intervals. Nine ornamental ...