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Wool sorting at Gilgandra, 1936

This is a black-and-white photograph, measuring 21.3 cm x 16.2 cm, of four men skirting fleeces and classing wool at Berida Station near Gilgandra in New South Wales. They are using two long tables in a large shearing shed. The station manager's daughter, a shearing contractor and two shed hands are looking on. In the background ...

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Sunshine stripper harvester, 1884

This is a Sunshine stripper harvester, the design of which was developed by Hugh Victor McKay on his father's property at Drummartin, Victoria, in 1884. The harvester has three wheels, one at the front and two at the back. It is designed to strip, thresh and clean wheat grain. It is painted in brown and yellow, and features ...

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Wolter and Echberg washing machine, late 1800s

This is a late-19th-century compressed-air washing machine, made by Victorian manufacturers Wolter and Echberg. The machine is made of galvanised steel and has a distinctive rocket-like appearance, with a central drum, in which the clothes are washed, consisting of two cone shapes on either end of a cylinder. On the drum ...

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Rainforest shield, c1890s

This is a wooden shield from the Aboriginal people of the rainforest region of north-eastern Queensland. Known as a 'rainforest shield', it is painted yellow, red, white and black using natural pigments. Collected in the 1890s, it is 96 cm long x 37 cm wide.

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A shepherd and sheep, c1850

This is a watercolour of an early morning scene on a sheep property or 'run' painted by Samuel Thomas Gill. It depicts a shepherd and his dog at the rear of a flock of sheep disappearing over a small hill. A slab hut is shown on the slope of the hill and a small hurdle or temporary fence is in the foreground. The painting ...

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The 'Dig' tree in 1878

This is a watercolour by Arthur Esam (1850-1938), created in 1878 and measuring a modest 32.5 cm x 26.7 cm. It shows a coolibah tree with two sections of bark missing - the famous 'Dig' tree of the Burke and Wills Expedition of 1861. A man (perhaps Esam himself) is standing holding the reins of a horse, and appears to be ...

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Ophir gold diggings in 1851 - asset 1

This is a hand-coloured lithographic print of a painting by George French Angas showing a stream zigzagging through she-oaks and sparsely treed cliffs at what was to become Ophir, Australia's first gold rush site. The print shows 14 miners prospecting using several different methods. Measuring 24.2 cm x 35 cm, the print ...

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Ophir gold diggings in 1851 - asset 2

This is a hand-coloured lithographic print showing the gold rush town of Ophir as it appeared soon after the first discovery of gold in 1851. About 30 canvas tents sprawl haphazardly near the river; miners are visible near the tents and several are walking along a dirt track; and rounded, sparsely treed hills are in the ...

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'A ship's boat attacking a whale', c1813

This is a hand-coloured aquatint (a print made from an engraving on copper) showing a boat's crew from a British whaling ship about to harpoon a whale. Measuring 18 cm x 22.8 cm, the print appeared in a book entitled 'Foreign field sports, fisheries, sporting anecdotes ...'

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Neck ornament, c1890s

This is an Aboriginal neck ornament from central Australia, believed to have been made in the late 1800s. It comprises two pairs of eaglehawk claws, connected with resin to a string made of human hair. The ornament is 43 cm long and 4 cm wide.

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Government escort and mail at the Treasury, Sydney, 1851

This is a black-and-white pen-and-wash drawing of the rear of a mail coach outside the New South Wales Treasury in Sydney in 1851. Two uniformed police with rifles sit at the back of the coach while others unload boxes of gold to take into the Treasury. Two mounted police flank the coach as men, women and children in mid-Victorian ...

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Priest blessing Irish emigrants in 1851

This is a black-and-white print made from a wood engraving, which appeared in the 'Illustrated London News' in 1851, of a priest blessing a group of poor Irish emigrants who are packing their belongings onto a horse-drawn cart. The people are dressed in hats and coats, and some are kneeling to accept the blessing. The landscape ...

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Camels in Coolgardie, 1890s

This is a photograph, an albumen print measuring 13.6 cm x 20.1 cm, taken in the 1890s and showing three camels sitting outside commercial premises in Bayley Street, Coolgardie, Western Australia. The camels are not tethered or harnessed in any way. With the exception of a woman who appears to be patting a camel, all the ...

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A boxing match in Bendigo, 1853

This is a hand-coloured lithograph, measuring 15.8 cm x 19.5 cm, entitled 'A BENDIGO MILL'. It was made by Samuel Thomas Gill (1818-80) from a sketch he did on the spot as he watched a boxing match in Bendigo, Victoria, and it featured in his publication 'Sketches of the Victoria gold diggings and diggers as they are'. ...

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Convicts boarding a hulk at Portsmouth, 1828

This is a hand-coloured etching, sized 16 cm x 24 cm, of a hulk (prison ship) anchored in Portsmouth Harbour, England. A large rowboat filled with convicts and soldiers approaches the hulk with oars held upright ready for boarding. The ship has stairs and additional rooms built on it, washing hangs from lines strung across ...

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'Panorama of Challicum, No. V', c1850

This is a watercolour measuring 16.6 cm x 25.7 cm showing a mounted man, possibly the squatter Harry Thomson. Two dogs run behind him as he rides along a meandering trail left by wagon wheels. Forests stretch away behind and native gums dot the Challicum Hills which rise out of the forest treetops. The artist, Duncan Cooper, ...

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'Panorama of Challicum, No. VI', c1850

This is a watercolour measuring 17.2 cm x 26.2 cm showing the twin peaks of Mount Langi Ghiran rising behind the smaller tip of Conical Hill. Two distant mountains on the right are Ben Nevis and Mount Buangor. A camp of Indigenous Djapwurrong people, consisting of two bark and wood dwellings, is situated on the edge of ...

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'Panorama of Challicum, No. VII', c1850

This is a watercolour measuring 15.7 cm x 24.4 cm, showing a mounted man herding a small group of cows past scattered native bush and trees, beneath the backdrop of the Mount Cole ranges. The artist, Duncan Cooper, included this painting as the fifteenth watercolour in his field sketchbook and inscribed the title 'Panorama ...

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'Panorama of Challicum, No. VIII', c1850

This is a watercolour measuring 15.8 cm x 24 cm showing the vast, yellowing Challicum plains with grassfires burning smokily in the distance. A flock of sheep is being watched by a shepherd and dog. The artist, Duncan Cooper, included this painting as the sixteenth watercolour in his field sketchbook and inscribed the title ...

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Pacific Islander labourers loading sugar cane onto a punt, c1896

This is a posed black-and-white photograph showing about ten Pacific Islander labourers involved in loading harvested sugar cane onto a river punt for transport to a Bundaberg sugar mill. A horsedrawn 'German' wagon has been reversed onto a high wooden jetty and the labourers have off-loaded some of the cane it was carrying ...