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Neck ornament, c1890s

This is an Aboriginal neck ornament from central Australia, believed to have been made in the late 1800s. It comprises two pairs of eaglehawk claws, connected with resin to a string made of human hair. The ornament is 43 cm long and 4 cm wide.

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Stone axes and picks, early 1900s

This is an image showing six stone axes and picks made by people of the Warumungu and Tjingali groups near Tennant Creek in central Northern Territory. On average, the axes are 50 cm long and 20 cm wide, while the picks are 40 cm long and 25 cm wide.

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Rock painting, Carnarvon Gorge, 1938 - item 2 of 2

This 1938 sepia photograph of a large Indigenous rock painting displays many stencilled hands, boomerangs, coolamons and a net-like shape, possibly representing a cycad, on a cliff wall in Carnarvon Gorge in central Queensland. A large rock near the wall shows some engraved art. The photograph was taken during the second ...

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Collins Street, Melbourne, 1889

This is an 1889 hand-coloured 25 cm x 33.5 cm wood engraving of Collins Street, Melbourne, Victoria, looking east from Elizabeth Street. The street is filled with activity - pedestrians are buying fruit and vegetables from a handcart, a boy is 'wearing' an advertising board and people are travelling by tram, wagon and on ...

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Rock painting, Carnarvon Gorge, 1938 - item 1 of 2

This sepia photograph of an Indigenous rock painting shows several stencilled hands and what appear to be boomerangs. In some of the images three fingers and thumb are prominent and in the central image the little finger is bent. The images appear to be well preserved. The photograph was taken in 1938 at Carnarvon Gorge ...

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Pandanus baskets, 1912-13

These are four conical pandanus baskets from western Arnhem Land in the Northern Territory. All are painted with natural pigments and date from 1912-13. They are between 43 cm and 76 cm high and their diameters range from 14 cm to 24 cm.

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Sedge hunting baskets, 1936, 1980s

These are four hunting baskets from Arnhem Land in the Northern Territory. All are made from sedge grass. The top bag on the left and the two at the bottom were made in the late 1980s, while the bag on the top right-hand side was collected in 1936. The oldest bag is 113.5 cm high, 51 cm wide and 28 cm in diameter. The other ...

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Three Indigenous Australians, c1850

This is a watercolour painted by Samuel Gill in about 1850, entitled 'Two natives and child by a creek'. The painting, which measures 10 cm x 12 cm, is also known as 'Aborigine with barbed spear'. The location is unidentified. The image shows three Indigenous Australians - a man, a woman, and a child aged about three. All ...

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Indigenous Australian man with white body paint, c1790

This is a portrait of an Indigenous Australian man from the Port Jackson (Sydney) area of New South Wales, created in about 1790 by an unknown artist. He is depicted from the waist up, with white paint on his face, arms and chest. The text 'When angry and (as I suppose) intends to fight at a future period' is written below ...

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Indigenous Australian man, Bedgi-bedgi (Bidgee-bidgee), 1802

This is a colour print of a half-figure portrait drawn by the French artist Nicolas-Martin Petit near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a man named as Bedgi-bedgi (also known as Bidgee-bidgee), said to be of the Gwea-gal tribe. He has patterned scarification on his arms, chest and abdomen, ...

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Exploring the Swan River, 1827

This is a painting on canvas called 'Captain Stirling's exploring party 50 miles up the Swan River, Western Australia, March, 1827'. The painting, measuring 29.2 cm x 36.0 cm, shows a tree-lined section of the Swan River, near present-day Perth. There are two boats: on one of them, men in British navy uniforms are lowering ...

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Pacific Island labourer recruiting ship 'Para', c1880

This is a drawing of the two-masted brigantine 'Para', probably completed by Master Mariner William Wawn during a successful five months voyage to the Solomon Islands in 1894. One of a series of sketches of his impressions of the islands in pencil, ink and watercolour, it shows the recruiting ship offshore at anchor, as ...

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'License inspected, Forrest Creek', 1853

This is a hand-coloured lithograph of 'License [licence] inspected, Forrest [Forest] Creek', a watercolour by S T Gill. It was printed as a plate in part one of 'The Victoria gold diggings and diggers as they are', published in London in 1853. The drawing depicts a man holding a rifle in one hand and a mining licence in ...

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Chinese gold digger preparing for work, c1860s

This is a black-and-white photograph of a Chinese goldminer posed in front of a wall on a central or north Queensland gold field. He wears clean work attire of a conical hat, long-sleeved shirt and Western-style trousers and boots, and carries mining equipment on a shoulder yoke. The equipment includes buckets, spade and ...

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The Holy Triad Temple at Breakfast Creek, 1886

This black-and-white photograph of the Holy Triad Temple (San Xung Kung) at Breakfast Creek in Brisbane shows the exterior of a small elaborately decorated and well-maintained Chinese temple sometimes known as a joss house. The decorative triple roof sits on a rectangular rendered brick structure, which is adorned with ...

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'Gold digging in Australia 1852: fair prospects'

This is a watercolour, the second of a pair, measuring 20.2 cm x 26.4 cm, by Samuel Thomas Gill (1818-80), a famous colonial artist. It shows two gold miners standing near a mine shaft, inspecting a handful of gold, at the edge of a creek. One of the men is leaning on a pick and a panning dish is lying on the ground nearby. ...

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Anti-Chinese cover on Queensland Figaro and Punch, 1888

This cartoon appeared on the cover of the weekly Queensland Figaro and Punch on 14 July 1888 and depicts a stereotypical image of a grotesque Chinese man with gaping mouth, protruding teeth and a pug nose, about to be kicked by a tall strapping Australian bushman. The cartoon is titled 'THAT PEKIN EDICT' and has two captions. ...

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Chinese farm workers planting cane, Cairns, 1890s

This is a black-and-white 1890s photograph portraying about 12 men, presumed to be Chinese as some wear conical hats, manually laying sugar-cane cuttings, or setts, at regular intervals in long furrows in a large paddock on Hambledon Sugar Plantation near Cairns in Queensland. In the background are a mounted overseer supervising ...

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Chinese fruit and vegetable hawker, Brisbane

This black-and-white photograph shows a Chinese fruit and vegetable seller, or hawker, known as 'Vegetable John' according to the accompanying rather derogatory description of the time, posing at the steps of a suburban house. He is wearing Western-style clothes and is resting his shoulder pole and two very large open-weave ...

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Chinese market gardener, c1880s

This is a black-and-white photograph showing A H Wong, a Chinese market gardener in Brisbane, watering a bed of what appear to be vigorous cabbages or cauliflowers. He uses a traditional Chinese method of watering - a shoulder yoke or pole with a large watering can at each end. He wears protection from the sun - a hat and ...