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'Panorama of Challicum, No. I', c1850

This is a watercolour measuring 15.8 cm x 24.4 cm showing gently undulating grassland and narrow bands of trees. A group of cows is being herded by a mounted man to a lower area behind a hill, possibly towards a small group of huts that can be glimpsed in the middle ground. The artist, Duncan Cooper, included this painting ...

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Wolter and Echberg washing machine, late 1800s

This is a late-19th-century compressed-air washing machine, made by Victorian manufacturers Wolter and Echberg. The machine is made of galvanised steel and has a distinctive rocket-like appearance, with a central drum, in which the clothes are washed, consisting of two cone shapes on either end of a cylinder. On the drum ...

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'Panorama of Challicum, No. V', c1850

This is a watercolour measuring 16.6 cm x 25.7 cm showing a mounted man, possibly the squatter Harry Thomson. Two dogs run behind him as he rides along a meandering trail left by wagon wheels. Forests stretch away behind and native gums dot the Challicum Hills which rise out of the forest treetops. The artist, Duncan Cooper, ...

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'Hobson's Bay Railway Pier, Melbourne', 1878

This is a 37.2 cm x 52.5 cm sepia-toned photograph of Station Pier at Sandridge (now Port Melbourne), Victoria. About 60 people stand in the foreground looking up at what must be the photographer, Charles Nettleton, exposing his photographic plate. Various ships, some of which are steam powered, can be seen lining both ...

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'Poultry house, Challicum', 1851

This is a watercolour by Duncan Cooper that depicts the poultry house at Challicum, a sheep run west of Ballarat in western Victoria. Two of the Djapwurrong people (the Indigenous inhabitants of this region) are shown sitting by a smoking fire next to a temporary bark shelter. Various chickens are also shown pecking in ...

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Second hut at Challicum, summer view, 1845

This is a watercolour by Duncan Cooper that shows the second hut built at Challicum, a sheep run west of Ballarat in western Victoria established by Cooper and George and Harry Thomson. In the foreground is a man on horseback, who may be Harry Thomson, followed by two dogs, crossing a grassy plain. Almost directly behind ...

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Ophir gold diggings in 1851 - asset 3

This is a hand-coloured lithograph made by Thomas Balcombe (1810-61), measuring 27 cm x 47.5 cm, and based on a sketch made on the spot by J Korff. It depicts gold diggings at the confluence of Summer Hill Creek and Lewis Ponds Creek at Ophir in New South Wales. A horseman is shown approaching miners standing near the creek, ...

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'Aquarius 1841'

This is a pen, ink and crayon drawing, measuring 18.8 cm x 26.8 cm, of a man driving a horse and cart, on the back of which is a full water barrel. Buildings and trees are sketched in the background and at the top right is a set of signalling flagpoles. A handwritten inscription at the bottom of the picture reads: 'Aquarius ...

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John Forrest's 1874 expedition

This is a 52.5 cm x 69 cm, black-and-white photoengraving, of John and Alexander Forrest, James Sweeney, James Kennedy, Tommy Windich and Tommy Pierre with their horses after crossing the Great Victoria Desert in 1874. On the far right is the Overland Telegraph Line, about 120 kilometres north of Coober Pedy in South Australia. ...

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Aviator William Ewart Hart's biplane, 1911

This is a 23.4 cm x 38.8 cm sepia-toned photograph of the homemade biplane of one of Australia's first aviators, William Ewart Hart (1885-1943), after its 1911 landing on the Sydney Showground, New South Wales. A crowd has gathered around the aircraft, obscuring Hart from view.

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'The new rush', 1865

This is a coloured print, measuring 19.4 cm x 25.2 cm, by the famous colonial artist Samuel Thomas Gill (1818-80), published in 'The Australian Sketchbook' in 1865. It shows a gold rush scene, probably in Victoria, with a stream of prospectors travelling along a dirt road. Several are walking beside their horses and heavily ...

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Ophir gold diggings in 1851 - asset 4

This is a hand-coloured print of a sketch made by George French Angas (1822-86) of the gold fields at Ophir, near Bathurst, New South Wales, in 1851. The title of the sketch ('Ophir at the junction') refers to the junction of Summer Hill and Lewis Pond Creeks, but the junction itself is not clearly shown. The view is from ...

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Humpback whale carcass, Tangalooma Whaling Station, c1957 - item 2 of 2

This is a colour photograph of several men with long-handled flensing knives removing blubber from a whale's carcass as it lies on the flensing deck of the Tangalooma Whaling Station at Moreton Island in Queensland. The men do not appear to be wearing safety equipment and are dressed in work clothes. Several people look ...

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US soldier and air-raid shelter, Brisbane, 1942

This colour photograph taken in May 1942 shows a US army officer posing at the entrance of an underground air-raid shelter in Brisbane. The photo was taken in the grounds of Somerville House, an exclusive girls' boarding school requisitioned by the US forces in the Second World War as one of their headquarters in Brisbane. ...

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Electors arriving to vote, Mackay, 1877

This black-and-white pen-and-ink sketch depicts voters arriving at a polling station in a state by-election in Mackay, Queensland, on 23 April 1877. The voters arrive in horsedrawn buggies and carriages. Speech bubbles and banners include the slogans 'VOTE for LONG', 'Yah! no slavery!' and 'Beor! and down with Kanaka Labour!' ...

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Chinese people on the way to the Ravenswood gold fields, 1870

This pen-and-wash sketch dated 9 December 1870 depicts four Chinese men and a dog on the way to the gold fields at Ravenswood in northern Queensland. Made by Donald Sydney Thistlethwayte it is titled ''Celestials' on the way to Ravenswood diggings'. The men are dressed in traditional Chinese clothing. One wears sandals ...

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Female emigrants bound for Australia, 1834

This hand-coloured lithograph, measuring 36.0 cm x 22.7 cm and consisting of seven panels of an original ten, depicts in cartoon form the deprivations suffered by single women migrating to Australia in the 1830s. Titled 'FEMALE EMIGRATION!', the scenes follow the story of the women leaving Britain, their rough crossing ...