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Your search returned 36 results

Listed under:  Society  >  Culture  >  Regional culture  >  Aboriginal and Torres Strait Islander peoples  >  Aboriginal peoples
Online

Bridging the Numeracy Gap

  • TLF-IDS7050

This teacher resource describes the Bridging the Numeracy Gap strategy, which aimed to build teacher capacity and accelerate learning for mathematically vulnerable students in low socioeconomic status and Aboriginal communities in Victoria and Western Australia. Actions included: implementing a research-based intervention ...

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Online

Upskilling Kimberley Aboriginal Teaching Assistants

  • TLF-IDS7037

This teacher resource describes how the Catholic Education Office of Western Australia worked to support its Aboriginal Teaching Assistants (ATAs) to undertake approved study programs to improve their knowledge, skills and competencies so that they could meet the needs of Aboriginal students and their families in the school ...

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Online

Aboriginal Independent Community Schools Numeracy Strategy

  • TLF-IDS7049

This teacher resource describes a strategy to improve the numeracy levels of low-achieving Aboriginal students in 12 remote Aboriginal Independent Community Schools (AICS) in Western Australia. The method section describes the development of an online portal; professional development for teachers, principals and Aboriginal ...

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Two Indigenous Australians hunting emus, c1817

  • TLF-IDR4025

This is a 17.7 cm x 27.8 cm watercolour of two Indigenous Australian men hunting emus, with one man about to throw a spear using a woomera, or spear thrower. The birds are grazing on a grassy plain in the middle distance to the right of the picture, and the men are screened from them by large rocks and scrub. In the distance ...

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Indigenous Australians fishing by torchlight, c1817

  • TLF-IDR4031

This is a watercolour, measuring 17.7 cm x 27.9 cm, created by Joseph Lycett in about 1817. It depicts Indigenous Australians spear fishing from three bark canoes at night. In each canoe are a man with a spear and a person holding a firebrand. On the river bank, 15 adults and a child are gathered around two fires, roasting ...

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Bennelong in European clothing, 1798

  • TLF-IDR4035

This is an engraving made by James Neagle in England in 1798. It features an oval portrait of Bennelong wearing a ruffled shirt, waistcoat and frockcoat. A number of Indigenous Australian weapons are depicted in a formal arrangement behind the portrait; these include two shields, a woomera (spear thrower), a hafted axe ...

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Indigenous Tasmanian woman, Arra-Maida, 1802

  • TLF-IDR4036

This is a black-and-white print of a drawing made by the French artist Nicolas-Martin Petit on Bruny Island, off south-east Van Diemen's Land (Tasmania), on 31 January 1802. It is a portrait of a young woman, Arra-Maida. She has short, woolly hair and is wearing an animal-skin garment that hangs over one shoulder, but ...

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Indigenous Australian man, Y-erran-gou-la-ga (Mousquita), 1802

  • TLF-IDR4037

This is a colour print of a half-figure portrait drawn by the French artist Nicolas-Martin Petit somewhere near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a man named as Y-erran-gou-la-ga. There is painting on his chest and face and he is wearing a piece of reed or bone through a hole in the cartilage ...

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Indigenous Australian man, Bedgi-bedgi (Bidgee-bidgee), 1802

  • TLF-IDR4038

This is a colour print of a half-figure portrait drawn by the French artist Nicolas-Martin Petit near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a man named as Bedgi-bedgi (also known as Bidgee-bidgee), said to be of the Gwea-gal tribe. He has patterned scarification on his arms, chest and abdomen, ...

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Indigenous Australian man, Gnoung-a Gnoung-a ('Collins'), 1802

  • TLF-IDR4040

This is a colour print of a portrait drawn by the French artist Nicolas-Martin Petit somewhere near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a young Indigenous Australian man known as Gnoung-a Gnoung-a, and also as 'Collins'. He has short, curly hair and a light beard. His red headband is possibly ...

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'John Batman's famous treaty with the blacks', c1914

  • TLF-IDR4385

This is a black-and-white engraving, measuring 40.4 cm x 57 cm, made by George Rossi Ashton (1851-1942) in about 1914. It depicts John Batman (1801-39) and an elderly Indigenous Australian man leaning over what is probably a treaty document on the decayed trunk of a large fallen tree. They are surrounded by 16 men, many ...

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Indigenous Australians defending their land, c1817

  • TLF-IDR4024

This is a 17.7 cm x 27.9 cm watercolour showing about 40 Indigenous Australian people attacking a rowboat carrying five colonists. Most of the warriors are on a steep, rocky headland and those close to the water have spears raised. Two appear to be picking up stones while those further up the cliff watch on. About ten Indigenous ...

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Indigenous Australians using fire to hunt kangaroos, c1817

  • TLF-IDR4029

This is a watercolour, measuring 17.5 cm x 27.8 cm, created by Joseph Lycett in about 1817. It depicts Indigenous Australians using fire to flush out kangaroos in order to hunt them. One man is ready to throw a spear using a woomera (spear thrower) and another has his arm raised to throw a boomerang. In the background, ...

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Indigenous Australian family sheltering in a cave, c1817

  • TLF-IDR4030

This is a watercolour, measuring 17.7 cm x 27.7 cm, created by Joseph Lycett in about 1817. It depicts an Indigenous Australian family sheltering from a storm in the entrance of a cave in New South Wales. A man holds a fish and a firebrand and a woman sits on a rock nursing a baby. A third adult squats before a fire, apparently ...

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Indigenous Australian climbing a tree, c1817

  • TLF-IDR4032

This is a watercolour, measuring 27.8 cm x 17.7 cm, created by Joseph Lycett in about 1817. It features an Indigenous Australian man about 2 m up the trunk of a eucalypt tree, with his feet and one hand in notches on the trunk. He is holding a small axe in the other hand, ready to cut another notch, apparently being directed ...

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Portrait of an Indigenous Australian man, c1790

  • TLF-IDR4033

This is a portrait of an Indigenous Australian man from the Port Jackson (Sydney) area of New South Wales, created in about 1790 by an unknown artist. The man is shown from the waist up, standing with his back to the viewer and his head turned to the right-hand side. The man's facial features are exaggerated and his back ...

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Indigenous Australian man, Ourou-mare ('Bulldog'), 1802

  • TLF-IDR4043

This is a colour print of a half-figure portrait drawn by the French artist Nicolas-Martin Petit somewhere near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a man named as Ourou-mare, said to be of the Gwea-gal tribe, and known to the British settlers as 'Bulldog'. He has short, curly hair and a ...

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Indigenous Australian man warding off spears, c1817

  • TLF-IDR4047

This is a 17.7 cm x 27.7 cm watercolour showing an Indigenous Australian man holding a shield in front of himself, with fallen spears at his feet, as he faces a group of 14 men. Some are holding spears, apparently watching and waiting, while one is about to throw his spear at the man with the shield. Another group of 11 ...

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'Hut door', 1850s

  • TLF-IDR4382

This is a circular pencil drawing on coloured scraper board, measuring 22.7 cm in diameter. It was drawn in the 1850s by Samuel Thomas Gill (1818-80). It depicts a European family of mother, father and small daughter interacting with an elderly Indigenous Australian man and two Indigenous children in front of the door of ...

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'Rapid Bay, encampment of Yankalilla blacks', 1847

  • TLF-IDR4383

This is a hand-coloured lithograph made in 1847 by James William Giles (1801-70) from a watercolour by George French Angas (1822-86), measuring 35.8 cm x 53.2 cm. It depicts a group of five Indigenous Australian men and a boy holding a spear on the beach at Rapid Bay, South Australia. They are sitting and lying in front ...

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