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'Splitters', 1865

This is a coloured print, measuring 19.4 cm x 25.2 cm, by the famous colonial artist Samuel Thomas Gill (1818-80), published in 'The Australian Sketchbook' in 1865. It shows two splitters cutting slabs from the felled trunk of a tree using wedges and mallets. A bullock dray stands nearby, stacked high with slabs, and the ...

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Women unionists marching on Black Friday during the Brisbane General Strike, 1912

This is a black-and-white photograph of an orderly procession of women walking four or five abreast past Brisbane's Treasury Building in the city centre on 2 February 1912, a day that became known as 'Black Friday'. The majority of the women appear to be dressed in their best and wearing hats for the occasion. Several horsedrawn ...

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Freed unionist shearers following the 1891 Shearers' Strike, 1893

This is a black-and-white poster showing 13 shearers who had been jailed in 1891 during the central Queensland Shearers' Strike. Across the top of the poster, in large letters, is printed 'FREEDOM WITHOUT DISHONOUR' and 'UNIONIST PRISONERS'. The poster goes on to identify each man individually as having been sentenced at ...

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Pacific Islander labourers planting sugar cane, Mackay, 1870s

This is a black-and-white photograph showing large groups of poorly dressed indentured Pacific Islanders planting sugar cane on a plantation at Mackay in Queensland. Fourteen or more Pacific Islanders are manually placing sugar-cane cuttings at regular intervals in long furrows. Two mounted white men oversee their work ...

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The Holy Triad Temple at Breakfast Creek, 1886

This black-and-white photograph of the Holy Triad Temple (San Xung Kung) at Breakfast Creek in Brisbane shows the exterior of a small elaborately decorated and well-maintained Chinese temple sometimes known as a joss house. The decorative triple roof sits on a rectangular rendered brick structure, which is adorned with ...

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Pacific Island labourer recruiting ship 'Para', c1880

This is a drawing of the two-masted brigantine 'Para', probably completed by Master Mariner William Wawn during a successful five months voyage to the Solomon Islands in 1894. One of a series of sketches of his impressions of the islands in pencil, ink and watercolour, it shows the recruiting ship offshore at anchor, as ...

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Pacific Islander women working in cane fields, c1890

This sepia photograph shows eight indentured Pacific Islander female labourers preparing to hoe weeds in rows of cane at Hambledon Mill, near Cairns in Queensland. The women and girls, some barefoot, stand at the edge of the cane, which is above head height. The foreground is bare soil and a thickly wooded hill rises in ...

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Indigenous Australian man, Bedgi-bedgi (Bidgee-bidgee), 1802

This is a colour print of a half-figure portrait drawn by the French artist Nicolas-Martin Petit near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a man named as Bedgi-bedgi (also known as Bidgee-bidgee), said to be of the Gwea-gal tribe. He has patterned scarification on his arms, chest and abdomen, ...

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Loading camels, early 20th century

This is a sepia-toned photograph measuring 10.3 cm x 5.0 cm, taken in outback Australia in the early 20th century, probably by John Flynn (1880-1951). The photograph shows three men, one of whom is an Afghan cameleer, loading a camel with two wool bales. A camel already loaded stands in the foreground with other camels ...

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'Hut door', 1850s

This is a circular pencil drawing on coloured scraper board, measuring 22.7 cm in diameter. It was drawn in the 1850s by Samuel Thomas Gill (1818-80). It depicts a European family of mother, father and small daughter interacting with an elderly Indigenous Australian man and two Indigenous children in front of the door of ...

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Exploring the Swan River, 1827

This is a painting on canvas called 'Captain Stirling's exploring party 50 miles up the Swan River, Western Australia, March, 1827'. The painting, measuring 29.2 cm x 36.0 cm, shows a tree-lined section of the Swan River, near present-day Perth. There are two boats: on one of them, men in British navy uniforms are lowering ...

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'Australian exploration, an expedition on the march', 1874

This is a black-and-white print that depicts the ill-fated expedition, led by explorer Peter Egerton Warburton, which attempted to cross central Australia in 1873. The print shows expedition members astride camels with Warburton in the lead and an Aboriginal guide on foot in the desert. The print, which measures 35.5 cm ...

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Rainforest shield, c1890s

This is a wooden shield from the Aboriginal people of the rainforest region of north-eastern Queensland. Known as a 'rainforest shield', it is painted yellow, red, white and black using natural pigments. Collected in the 1890s, it is 96 cm long x 37 cm wide.

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Forehead ornament, c1916

This is an Aboriginal forehead ornament from the Northern Territory, believed to have been made in the early 1900s. It comprises more than 30 kangaroo teeth, each embedded in beeswax and then attached to a string. Lengths of string extend out at both ends of the ornament. The ornament is 45 cm long and 9.5 cm wide.

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Neck ornament, c1890s

This is an Aboriginal neck ornament from central Australia, believed to have been made in the late 1800s. It comprises two pairs of eaglehawk claws, connected with resin to a string made of human hair. The ornament is 43 cm long and 4 cm wide.

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Ceremonial headdress, c1921

This is a ceremonial headdress of the Wangkanguru (Wonkonguru) people, made at an Aboriginal settlement in the north-east of South Australia in about 1921. Its main features are three thick tassels made of rabbit-tail fur attached to string made of kangaroo fur and hair. It is 56 cm long and up to about 34 cm wide.

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Stone axes and picks, early 1900s

This is an image showing six stone axes and picks made by people of the Warumungu and Tjingali groups near Tennant Creek in central Northern Territory. On average, the axes are 50 cm long and 20 cm wide, while the picks are 40 cm long and 25 cm wide.

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'Attacking the mail, bushranging, NSW 1864'

This is a coloured print, measuring 19.8 cm x 25 cm, painted by the famous colonial artist Samuel Thomas Gill (1818-80) and published in 'The Australian Sketchbook'. It shows three masked bushrangers holding up the Royal Mail coach with shotguns and muskets. Their horses are hidden in nearby shrubs. The Mail is shown crowded ...

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Sedge hunting baskets, 1936, 1980s

These are four hunting baskets from Arnhem Land in the Northern Territory. All are made from sedge grass. The top bag on the left and the two at the bottom were made in the late 1980s, while the bag on the top right-hand side was collected in 1936. The oldest bag is 113.5 cm high, 51 cm wide and 28 cm in diameter. The other ...

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'Chinese carpenters at work, Emerald Hill', c1867

This is a black-and-white print that shows a group of Chinese carpenters in a workshop at Emerald Hill (South Melbourne) around 1867. A European man, who may be an artist, observes two of the carpenters at work. The carpenters appear to be making celestial carvings, which were spiritual objects for the Chinese, but which ...